Episode 54: Finale

with Lindsay, Lucy, and Sophie Allebest


On the final episode of the podcast Amy is joined by her daughters — Lindsay, Lucy, and Sophie — who help reflect on and celebrate the history of this project, some of the most valuable lessons learned along the way, and how the knowledge gathered through this work echoes both forward and backward across generations.

Thank you for sharing this journey with us, listeners. Please join us on YouTube (@breakingdownpatrarchy) where Breaking Down Patriarchy is continuing to grow.


Our Guests

Lindsay, Lucy, & Sophie Allebest


Amy Allebest: In 2020, I recorded the very first episode of Breaking Down Patriarchy. I started the episode by reading an excerpt from Gerda Lerner’s The Creation of Patriarchy, and I'm going to read it again now: “Men and women live on a stage, on which they act out their assigned roles, equal in importance. The play cannot go on without both kinds of performers. Neither of them ‘contributes’ more or less to the whole; neither is marginal or dispensable. But the stage set is conceived, painted, defined by men. Men have written the play, have directed the show, interpreted the meanings of the action. They have assigned themselves the most interesting, most heroic parts, giving women the supporting roles. As the women become aware of the difference in the way they fit into the play, they ask for more equality in the role assignments. They upstage the men at times, at other times they pinch-hit for a missing male performer. The women finally, after considerable struggle, win the right of access to equal role assignment, but first they must ‘qualify.’ The terms of their ‘qualifications’ are again set by the men; men are the judges of how women measure up; men grant or deny admission. They give preference to docile women and to those who fit their job-description accurately. Men punish, by ridicule, exclusion, or ostracism, any woman who assumes the right to interpret her own role or— worst of all sins— the right to rewrite the script. It takes considerable time for the women to understand that getting ‘equal’ parts will not make them equal, as long as the script, the props, the stage setting, and the direction are firmly held by men. When the women begin to realize that and cluster together between the acts, or even during the performance, to discuss what to do about it, this play comes to an end.” 

If you listen to all five seasons of Breaking Down Patriarchy, you will understand patriarchy really well and how to deconstruct it...

Amy: Hmm. That's cool. I had not thought of that. Thanks, Soph. 

It might take generations, but it will bear out.
It’s not a big deal for me to just stand up in little moments for the people around me...

Amy: No, I agree. And I'll say for me too, I know when I started Breaking Down Patriarchy, I was very adamant like, “This is not a Mormon project. I don't want to be labeled a Mormon feminist. Breaking Down Patriarchy transcends religion. This is not a Mormon project.” And that's still true, very much so. And at the same time, I have kind of opened my heart into that a little more. That's what I know. That's my home community. And the flavor of patriarchy that I was raised with was that flavor. And I can talk to Muslim feminists and I'm like, “Cousins! This is so similar.” Or Baptist women, like, they say “complementarianism” instead of “presiding.” There's different vocabulary, but I'm like, “Oh, same.” But Mormon patriarchy is the one I know, and that's maybe where I can make a particular difference. So to your point, I'm just affirming that that's true. 

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Episode 53: Polygamous Fundamentalism and Beyond